Features: panorama, viewpoints, lighting, image editing, splitting and groups

After generation, refine a viewpoint, lighting or local detail. Identify whether the issue is composition, color or structure before choosing a tool.

Explore follow-up tools by type. Preserve the original and compare changes separately.

How to use image tools

Select a populated image node for its toolbar. Tools can be pinned or found in More editing; availability depends on resource readiness.

Panorama

Explore a surrounding scene

Use Panorama to prepare a surrounding scene and inspect its directions. The result is not automatically a physically accurate 3D space.

Tips for useful results

• Use a scene with clear depth and a readable ground, subject and background.

• Review spatial continuity:

  • Inspect seams and stretched regions.

  • Choose readable views for later references.

How to use it

Where to start

• Open Panorama from the image toolbar or More editing.

• This example starts a panorama task from the selected environment reference. Open the completed preview and inspect the view, seams and subject shape.

  

  

What can you do with a panorama?

• Explore directions: inspect different views for seams and spatial distortion.

  

• Capture: use the current view or available multiple-view captures for references.

  

• Composition guides: review subject placement and the horizon.

  

• Reset the view: return to the initial direction for comparison.

  

Multiple viewpoints

Change the view and compare silhouettes

• Use a preset or rotation and tilt to generate a new 2D viewpoint from the source. It is not a freely rotatable 3D model.

  

How to use it

Viewpoint settings

• Choose a front, side or overhead goal and keep the subject complete.

• Use available presets or rotation and tilt sliders: rotation -90° to 90°, tilt -75° to 90°.

  

Additional prompt guidance

• Describe framing, fixed parts and background extent, then inspect structural consistency.

  

Example: Preserve the wooden sign, mushroom canopy and hanging lantern. Use a three-quarter viewpoint with a complete prop and simple background, adding no parts or lettering.

Viewpoint presets

• Choose a current preset and review settings and quote. Compare accessories, proportions and occlusion against the source.

  

Lighting

Shape materials and mood with light

Relighting provides direction, brightness, color and rim light. Smart mode adds descriptions, reference images and presets. Review the generated wood grain, shadows and lantern details.

How to use it

Direction and rim light

• Turn off Smart mode to adjust the key direction and enable rim light when needed.

• Keep the subject and viewpoint fixed while comparing light, without changing material and composition together.

  

Brightness and shadows

• Adjust brightness gradually and inspect tonal transitions and shadow edges.

• Check clipped highlights and lost shadows, keeping the same input for comparison.

  

Color

• Set the light color and distinguish it from the material’s own color.

• Check that character colors and key accessories remain recognizable.

  

Presets, descriptions and references

• Turn off Smart mode for direction, brightness and color. Turn it on for presets, descriptions or reference images.

• A description can state mood, main light direction and fixed subject traits.

  Example: Keep the mushroom roof, wooden arrow and right-hand lantern. Use warm side light on the wood grain, retain moss and trunk detail in shadow and keep the viewpoint fixed.

• In reference mode, verify the added image and review the quote before submitting.

• Presets help explore a direction, but their results still need comparison.

  

  

Grid art and sprite sheets

For grid assets, make cells and spacing clear before splitting. Sprite sheets also need stable scale and baselines before game use.

Basic image editing

Image processing tools and the separate Image edit workspace serve different needs. Open the appropriate current toolbar entry.

• Upscale: review settings and quote before generative enhancement.

• Resize: change the 2D image dimensions for the intended use, then check clarity.

• Outpaint: extend the image and inspect the join.

• Inpaint: select an area with brush, rectangle or lasso, then describe its change.

• Cutout: remove an image background and inspect transparent edges.

• Crop: change the retained area without reconstructing hidden content.

Split a grid

Split a grid into independent assets. Set cells from the actual boundaries and check that no subject is cut off.

How to use it

• Open grid splitting from the toolbar or More editing and set the grid.

• Review boundaries and previews before outputting the selected slices.

• Check transparency, padding and completeness in every slice.

  

  

Local notes and edits

Describe the exact area to change

• Open Inpaint from More editing in the image toolbar and state the location, replacement and fixed traits. This example edits the roof of the relit sign.

• Choose the edit area with brush, rectangle or lasso and describe the change.

• Compare both inside and outside the selection against the original; nearby details may also change.

  

  

Rotate and mirror

• Preview a 2D rotation or mirror, then confirm or cancel. Inspect lettering, accessories and handedness after a flip.

  

Image groups

Compare references and results together

Use regular groups to organize images with clear ordering and names. A group is not a dedicated storyboard table or automatic video editor.

How to use it

Create a regular group

• Select related images and group them as references, trials and approved work.

  

Organize an existing group

• Name references, trials and approved work separately and inspect their connections.

  

Organize sliced outputs

• Keep reusable slices as independent assets and group them by purpose.

  

What to review after grouping

• Image order, names and reference connections are clear.

• Review occlusion, incomplete edges and connections in decomposed assets; they are not automatically hand-finished layers.